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Started by beardhunter87, May 08, 2019, 06:18:54 PM
Quote from: EZ on May 10, 2019, 06:54:00 AMYour hands, and how you move them around have as much to do with the sound as your lips.
Quote from: gergg on May 10, 2019, 08:55:05 AMFor me everything affects the tone....hands, lips, draw, as well as lipstop placement and size....not saying I am doing it correctly, but that is my experience for what it is worth.
Quote from: EZ on May 10, 2019, 06:54:00 AMOn my wingbonesWith clucks, I make a sound chamber with both hands to get that hollow sound. Your hands, and how you move them around have as much to do with the sound as your lips. Have fun!!!
Quote from: boatpaddle on May 13, 2019, 09:23:40 PM I feel that people starting out using a wing bone or trumpet call make a huge mistake trying to make turkey talk, rather then learning how to draw air properly... Learning to draw air properly, along with trying to draw a singular note in the high, med, & low range & hold it, puts a learning caller further ahead of the learning curve..... Patience & determination go a long way as well.... Rule #1......RELAX.. Rule #2......Learn to call softly, first... Rule #3...... Never point the call directly at a gobbler, when he is coming in....The trumpet is the only Omni-direction call, we run......If you can't control air to soft call, you will blow em out with to loud of calling... Lots of information on how to use a trumpet on Youtube.....
Quote from: beardhunter87 on May 10, 2019, 10:35:29 AMPeople say to relax your lips but I feel to make a higher pitched front end I need to squeeze my lips together.