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Started by IndiaZero3, February 23, 2022, 09:06:17 PM
Quote from: ChesterCopperpot on February 23, 2022, 09:19:20 PMYes, some surfaces require more conditioning than others, and, no, that doesn't necessarily have to do with the price of the call. Slate you're always going to have to condition more often than other, harder surfaces. If conditioning is something you just flat don't like fooling with then I'd suggest getting a good ceramic. Metal surfaces are also going to require less conditioning. I'd worry less about the conditioning than the sound. What sound are you wanting to get out of the call? But, again, if you just don't like fooling with it, get a really good ceramic. Travis Wyatt makes a hell of a good one. So does Buster Halford. So does Chris Brumfiel. Sent from my iPhone using Tapatalk
Quote from: IndiaZero3 on February 23, 2022, 09:30:17 PMI don't mind conditioning a call, it's quick and easy. What does bother me is when I'm working a bird and the pot goes to crap and I have to stop and recondition to get through the set.
Quote from: ChesterCopperpot on February 24, 2022, 04:03:56 AMQuote from: IndiaZero3 on February 23, 2022, 09:30:17 PMI don't mind conditioning a call, it's quick and easy. What does bother me is when I'm working a bird and the pot goes to crap and I have to stop and recondition to get through the set.Now that really does surprise me that you're having to condition that much. I run pots and yelpers almost exclusively. And of the pots I'm a slate man through and through (exchange other surfaces in and out, but I ALWAYS carry a slate). Slates undoubtedly require the most conditioning, but even then I'm usually only scotchbrite conditioning once a day or maybe once every couple days. I keep a cover on the call when not in use so I don't lose the conditioning through carrying it (call covers are great for this by the way). But with a slate you've got an entire surface conditioned so there should be plenty of space to move around if one spot even did go dead. I usually don't move around a whole lot. I've got the sweet spots figured out and stay in those places. I HAVE had a few really bad crystals that wouldn't seem to stay conditioned and quite simply those got chucked. You've got me curious, though, what calls are you running exactly (you mention the brands, but what are the surfaces)? How large of an area are you covering with your playing stroke (should be really tight circles or ovals)? Is your striker hand palm touching the surface of the call when playing (sometimes people will grease up a section of a slate with part of their playing hand; not a huge deal but does tend to require reconditioning if you wish to play that area)?Sent from my iPhone using Tapatalk
Quote from: Fl strutter on February 24, 2022, 07:19:38 AMI have several pot calls in the classifieds that are very good calls at a discounted price.
Quote from: IndiaZero3 on February 24, 2022, 09:34:44 AMI hadn't thought about a cover, that's a good idea.I have a Knight & Hale Moonshiner and Scarlett Fever, both crystal. A Primos Power Crystal and the Zink is a slate Thunder Ridge.I try to find a few sweet spots on each call so I have a primary and some backups and always have them conditioned prior to a set up.I'm aware of and careful not to get oil from my hands on the call and I run them in a tight pattern.
Quote from: Bowguy on February 24, 2022, 12:21:58 PMThis might be an idea to help you. Commonly when working a bird a call might stay in your hand. If you noticed a surface going roll it say clockwise to the next hole (on back) group. You typically need to run across the holes to get your second note. By rotating the call this way you would get a new surface all the time. I also don't typically see it happen when working a bird. The other thing is make sure your striker isn't the issue.
Quote from: Zobo on February 24, 2022, 11:06:35 PM That is some very good advice given above. It probably is a good idea to get a ceramic pot like Chester suggested. Get a couple of different strikers too( I like frogwood, rosewood, purpleheart and snakewood for ceramic), they're as important as the pot itself and give you different sounds with the same pot. You've been hunting for a few years now so it's not a bad idea to "invest" in a call you really like and have confidence in. Confidence is so important for your calling and consistency. I'm a big box call user, some boxes need pretty regular chalking and others need almost none ever. So check out a new pot surface or two, you may just find something less tempermental. You definitely shouldn't have to condition quite so much.