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Started by C.j., March 08, 2013, 10:14:43 PM
Quote from: wvcurlytop on March 08, 2013, 10:55:29 PMTo my ears the third striker has the most pop in it, and sounded generally better for the clucks and purrs. The slate, I thought it sounded the best with the second and third striker when you called on the small side. Just me. I didn't really care for the yelps on it on the big side, though some of it may have been you, it just sounds a little tight to me.The glass, I thought sounded better than the slate, by far. At minute 4:49, I liked the sound of those yelps with the first strker, and in my opinion that is the place to call on on the glass. All three strikers had their moments on the glass, and again the third striker I think has some potential. Try to find that spot again that you hit at the above mentioned time. I think that may be your sweet spot on that call. I would concentrate on the glass mostly, as I think it has the most potential. Some of the squeals may be you, and then again the tips may need cleaned, or roughened up, or the call may need roughened up again. I think you are headed in the right direction and just practice. It takes some time to get consistent with your striker pressure, as well as staying consistent with your cadence. I would practice with that glass until I got hand cramps, and then practice some more with it. It gets easier in time. I thought these were better than last time too. Not sure if this is true, but I was always told to keep your strikers seperate. Meaning that the striker you use for your glass call, don't use on a slate, and vice versa. I have always done this as a man who sounded a lot better than me advised me of that, so perhaps I should pass it on. So when you find the striker you can be the most consistent with, keep it with that call, and don't use it on another one. Hope this helps, and thanks for posting another video, as I really enjoy listening to them.