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Turkey Calls => Mouth Call Making Discussion => Topic started by: ZachH28 on January 15, 2016, 04:43:17 PM

Title: Rasp
Post by: ZachH28 on January 15, 2016, 04:43:17 PM
The calls I am making sound good but they are just so raspy. I am trying to get something with a clearer front end. What do you guys do when trying to make a clear call with not much rasp? Any suggestions would be much appreciated!

Thanks again
Zach
Title: Re: Rasp
Post by: Bwk on January 16, 2016, 12:45:14 PM
Yes mine too! Suggestions?
Title: Re: Rasp
Post by: KentuckyHeadhunter on January 16, 2016, 02:57:46 PM
What type of call are you making?  This is an important variable. 
Title: Re: Rasp
Post by: Bwk on January 16, 2016, 04:13:28 PM
Most of mine are 3 reed with .003 or .004 latex over 2 layers of proph. V cut or a modified v cut. Like Zach said sound good but on the raspy side.
Title: Re: Rasp
Post by: ZachH28 on January 16, 2016, 08:04:17 PM
Most of what I am making are three reed .004 over proph. Combo cut
Title: Re: Rasp
Post by: jsyarbor on January 16, 2016, 10:30:42 PM
There's lots of things that can effect rasp. One is how much over hang you put on the top reed. Usually the more overhang you have the raspier the call will be. Hope this helps.
Title: Re: Rasp
Post by: TRKYHTR on January 18, 2016, 07:30:56 PM
 :drool:Make sure the top reed doesn't hang over much at all. Also cut your combo cutts deep. It's very hard to get a clear front end note on a V cutt unless you are Scott Ellis. There is just not much room between the cutts to get to the second reed without the top reed vibrating. Also stretch the call more.

Joe
Title: Rasp
Post by: drenalinld on January 18, 2016, 09:40:03 PM
I finally found clear front end with v-cut after visiting on the phone with Scott.
Title: Re: Rasp
Post by: Sadler McGraw on January 19, 2016, 03:05:35 PM
Like others have said, depth of the cut and how much reed over hangs is most of the rasp.  Also the way that you present the air across the call determines how much rasp is made.  Myself, I use a 2.5 reed ghost, but I can make as much rasp and anyone out there, a lot of that is how I push the air across the call, how much I drop my jaw and some of it is made with the back of my throat. ( at least that I think it is)

Stretch is important also, but I don't think it is the most critical part.

I can take that same ghost cut and make 4,5 , 10 notes crystal clear, and when I want the rasp, the next note drops into that rasp.

Many callers are sloppy in how they push the air across the call.  There is a huge difference in just having reeds flapping in the wind vs what natural rasp sounds like.

Cutting on a mouth call is the same way, some guys sound like a cheap rubber basketball bouncing on a hardwood court, they are sloppy with how they push the air across the call. Distinct and separated notes is what your looking for!!!