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Your hands, and how you move them around have as much to do with the sound as your lips.
For me everything affects the tone....hands, lips, draw, as well as lipstop placement and size....not saying I am doing it correctly, but that is my experience for what it is worth.
On my wingbonesWith clucks, I make a sound chamber with both hands to get that hollow sound. Your hands, and how you move them around have as much to do with the sound as your lips. Have fun!!!
I feel that people starting out using a wing bone or trumpet call make a huge mistake trying to make turkey talk, rather then learning how to draw air properly... Learning to draw air properly, along with trying to draw a singular note in the high, med, & low range & hold it, puts a learning caller further ahead of the learning curve..... Patience & determination go a long way as well.... Rule #1......RELAX.. Rule #2......Learn to call softly, first... Rule #3...... Never point the call directly at a gobbler, when he is coming in....The trumpet is the only Omni-direction call, we run......If you can't control air to soft call, you will blow em out with to loud of calling... Lots of information on how to use a trumpet on Youtube.....
People say to relax your lips but I feel to make a higher pitched front end I need to squeeze my lips together.